[Devyn]
...What did you think of that?
[Simon]
That was great! I really liked it. There was uh, you're showin' all sorts of ability. You've got-you're uh, communicating, a lot of ideas, that I can hear in there, there's all sorts of layers, and uh, and then you've got that part that's punk as hell, it's a, it's a great song. Uh-
Wait-
You're not that happy about it?
[Devyn]
M-
...You like it?
[Simon]
Yeah!
[Devyn]
W-But what did you like about it?
[Simon]
Just, you could keep listening to that and there's so much being said there. And uh, I can hear it, I can hear what you're saying, sometimes I-I miss, your words, some of the other was you're saying it, and uh, I uh...
[Devyn]
I was think-
Yeah, because um, it sounds like there's a...
Like 'cause you cou-it sounds like it's in a room. Did you-but did you hear any distortion? Like duri-like when the bass comes in?
[Simon]
Other than like, the distortion that would be on the bass?
[Devyn]
No, no like, like like audio distortion, like a technical, like, i-like, cause there's like distortion on an instrument, like there's distortion in like, the mix itself.
[Simon]
No, it sounded really good. Yeah, yeah, I thought the sound was really solid.
W-what's wrong?
Hey look, this song's great too, with all your other songs, building on everything. I really think it's uh...you put them all together and now I'm hearing your wide, wide range of messaging, you know, it's not that even any of these sounds couldn't stand alone, it's like, just showing all the things you can do, together, together, you know, none of these have to be by themselves. But yeah, I'm feeling like you-you've added another thing. What you're doing is impressive.
What, wait...
...What did you think of that?
[Simon]
That was great! I really liked it. There was uh, you're showin' all sorts of ability. You've got-you're uh, communicating, a lot of ideas, that I can hear in there, there's all sorts of layers, and uh, and then you've got that part that's punk as hell, it's a, it's a great song. Uh-
Wait-
You're not that happy about it?
[Devyn]
M-
...You like it?
[Simon]
Yeah!
[Devyn]
W-But what did you like about it?
[Simon]
Just, you could keep listening to that and there's so much being said there. And uh, I can hear it, I can hear what you're saying, sometimes I-I miss, your words, some of the other was you're saying it, and uh, I uh...
[Devyn]
I was think-
Yeah, because um, it sounds like there's a...
Like 'cause you cou-it sounds like it's in a room. Did you-but did you hear any distortion? Like duri-like when the bass comes in?
[Simon]
Other than like, the distortion that would be on the bass?
[Devyn]
No, no like, like like audio distortion, like a technical, like, i-like, cause there's like distortion on an instrument, like there's distortion in like, the mix itself.
[Simon]
No, it sounded really good. Yeah, yeah, I thought the sound was really solid.
W-what's wrong?
Hey look, this song's great too, with all your other songs, building on everything. I really think it's uh...you put them all together and now I'm hearing your wide, wide range of messaging, you know, it's not that even any of these sounds couldn't stand alone, it's like, just showing all the things you can do, together, together, you know, none of these have to be by themselves. But yeah, I'm feeling like you-you've added another thing. What you're doing is impressive.
What, wait...
( C'est la key )
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